I took some pictures of crows this week at work, and tried to at least do something interesting with what were otherwise pretty poor quality shots.
I haven't decided if I like the outcome or not. But I guess I don't hate it. Yet.

a glimpse into my world
Vigilant
by Elin Torger
The story behind this photo:
The summer 2008 I met a little fox in the woods.....
I went out to photograph flowers...I was in the middle of the forest among the pine needles and leaves and flowers...and mosquitoes...the sun was coming down...it was a little chilly...
"Bang!"...what was that...? "Bang!"...again...it was branches and cones, which fell down from the trees...I thought it sounded like hoof steps...
"Cough!?...?Sneezy!?...What was this? I turned around ... and find to my surprise, a little red fox...it was coughing...maby either it was cold, or allergic..;)
?Typical...?...I thought...?I don`t have my zoom lens with me...?
I started to approach the little fox slowly...slowly...slowly...it jumped all around...back and forth ...back and forth...
Finally...after maybe fifteen minutes, he sat down...
I approached slowly...no sudden movements... slowly...
There I was...in front of the little fox...eye to eye, for maybe a half hour...one meter from it, with my Tamron 90 mm...without a tripod...in bad light...mosquitoes all over.....
Each time the sharpness locked on the camera and it clicked...the little fox leaned his head...:))
There he was...so small and cute...so sweet and red.....:)
Tom’s Story: A Gentle Giant
With gray hair, a freckled face, and a large body, Tom is a likeable fellow. His caregivers describe him as a gentle giant, and say that he is likely to remind you of a dear old uncle.
Born in Africa, Tom was ripped from his family and spent 30 years in labs where he was infected with HIV. He endured over 369 knockdowns, 56 punch liver biopsies, one open liver wedge biopsy, and three lymph node and three bone marrow biopsies. In the lab, Tom was plagued by intestinal parasites, and often had diarrhea and no appetite. When he had strength, he banged constantly on his cage.
Today, Tom lives at Fauna Foundation, but is limited in the social skills necessary to be a part of a group - skills he would have learned from his mother and family in Africa. Instead, he lived alone in barren laboratory cages with little opportunity to be a real chimpanzee among his own kind. However, Tom’s social skills have greatly improved, and he spends time during his days with one or two chimpanzee friends at a time, including Jethro.
(Tom's Story is located at this site: http://www.releasechimps.org)
CANBERRA (Reuters) – A love story between two badly burned koalas rescued from Australia's deadliest bushfires has provided some heart-warming relief after days of devastation and the loss of over 180 lives.
The story of Sam and her new boyfriend Bob emerged after volunteer firefighter Dave Tree used a mobile phone to film the rescue of the bewildered female found cowering in a burned out forest at Mirboo North, 150 km (90 miles) southeast of Melbourne.
Photos and a video of Tree, 44, approaching Sam while talking gently to her, and feeding her water from a plastic bottle as she put her burned claw in his cold, wet hand quickly hit video sharing website YouTube (www.youtube.com/watch?v=-XSPx7S4jr4), making her an Internet sensation.
But it was after reaching a wildlife shelter that Sam met and befriended Bob, who was saved by wildlife workers on Friday, two days before Sam, in Boolarra, about 180 km from Melbourne.
Tree, who has been a volunteer firefighter for 26 years, said it was extremely rare to get so close to a koala so he asked his colleague Brayden Groen, 20, to film him.
"You can how she stops and moves forward and looks at me. It was like a look saying "I can't run, I'm weak and sore, put me out of my misery,"" Tree told Reuters.
"I yelled out for some water and I sat down with her and tipped the water up. It was in my hand and she reached for the bottle then put her right claw into my left hand which was cold so it must have given her some pain relief and she just left it there. It was just amazing."
INSPIRING LOVE STORY
Sam was taken to the Southern Ash Wildlife Shelter in Rawson. Her story was reminiscent of a koala named Lucky who survived the 2003 bushfires that destroyed about 500 homes and killed four people in the capital of Canberra. Lucky became a symbol of hope.
Colleen Wood from the Southern Ash Wildlife Shelter that is caring for Sam and Bob said both koalas were doing well while other animals like possums, kangaroos, and wallabies were also starting to emerge from the debris.
She said Sam had suffered second degree burns to her paws and would take seven to eight months to recover while Bob had three burned paws with third degree burns and should be well enough to return to the bush in about four months.
"They keep putting their arms around each other and giving each other hugs. They really have made friends and it is quite beautiful to see after all this. It's been horrific," said Wood.
"Sam is probably aged between two to four going by her teeth and Bob is about four so they have a muchness with each other."
Wood said about 20 koalas had been brought into her shelter in recent days, several of whom had bonded as koalas are known to clump together, but none had garnered the same attention as the new Internet star Sam.
Tree, a volunteer with the Country Fire Authority Victoria, has visited Sam since her rescue and was delighted to see she had found a boyfriend in Bob.
"They've really taken a shine to each other as they are both burned and share the same burned smell," he said.
"My heart goes out to the people in these fires and this was so innocent so people have used this to distract them from all the sad stuff that has gone on. It gives people a bit of hope."
Donations for bushfire support can be made to the Country Fire Authority Victoria via their website at http://www.cfa.vic.gov.au/about/supportingcfa.htm.
Few photographers have ever considered the photography of wild animals, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally been on capturing the drama of wild animals IN ACTION, on capturing that dramatic single moment, as opposed to simply animals in the state of being.
I’ve always thought this something of a wasted opportunity. The wild animals of Africa lend themselves to photographs that extend aesthetically beyond the norm of 35mm-color telephoto wildlife photography. And so it is, that in my own way, I would like to yank the subject matter of wildlife into the arena of fine art photography. To take photographs that transcend what has been a largely documentative genre.
Aside from using certain impractical photographic techniques, there’s one thing I do whilst shooting that I believe makes a big difference :
I get extremely close to these very wild animals, often within a few feet of them. I don’t use telephoto lenses. This is because I want to see as much of the sky and landscape as possible--to see the animals within the context of their environment. That way, the photos become as much about the atmosphere of the place as the animals. And being that close to the animals, I get a real sense of intimate connection to them, to the specific animal in front of me. Sometimes a deliberate feeling that they’re almost presenting themselves for a studio portrait.
Why the animals of Africa in particular? And more particularly still, East Africa? There is perhaps something more profoundly iconic, mythical, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America. There is also something deeply, emotionally stirring and affecting about the plains of Africa – the vast green rolling plains punctuated by the graphically perfect acacia trees.
My images are unashamedly idyllic and romantic, a kind of enchanted Africa.
They’re my elegy to a world that is steadily, tragically vanishing.
Nick Brandt
April 2004
Cows with Names Make More Milk
Researchers in the UK say cows with names make 3.4 percent more milk in a year than cows that just feel, well, like cows.
There seems to be more than just names involved, however.
The study, involving 516 dairy farmers and published online Tuesday by the journal Anthrozoos, found that "on farms where each cow was called by her name the overall milk yield was higher than on farms where the cattle were herded as a group," write researchers Catherine Douglas and Peter Rowlinson of Newcastle University.
Nobody likes to be herded. Even a cow, one might presume. Indeed, the findings in fact point to an overall personal touch that – just a guess here – might say as much about the farmers as it does about the cows.
"Just as people respond better to the personal touch, cows also feel happier and more relaxed if they are given a bit more one-to-one attention," Douglas said. "By placing more importance on the individual, such as calling a cow by her name or interacting with the animal more as it grows up, we can not only improve the animal's welfare and her perception of humans, but also increase milk production."
Happy cows. Okay. Well, if you are a farmer (especially one with a small farm that struggles to be profitable by milking only a handful of cows) you probably would not argue with success. Cows, after all (and in case you're thinking of judging them as dumb animals) are known to have a magnetic sixth sense and are not as prone to cow-tipping as you might have heard. Who knows what else they are capable of?
Dairy farmer Dennis Gibb, who co-owns Eachwick Red House Farm outside Newcastle with his brother Richard, says he believes treating every cow as an individual is vitally important. "They aren't just our livelihood – they're part of the family," Gibb said in a statement released by the university. "We love our cows here at Eachwick and every one of them has a name. Collectively we refer to them as 'our ladies' but we know every one of them and each one has her own personality."
See?
The findings:
46 percent said the cows on their farm were called by name.
66 percent said they "knew all the cows in the herd."
48 percent said positive human contact was more likely to produce cows with a good milking temperament.
Less than 10 percent said that a fear of humans resulted in a poor milking temperament.
"our data suggests that on the whole UK dairy farmers regard their cows as intelligent beings capable of experiencing a range of emotions," Douglas said. "Placing more importance on knowing the individual animals and calling them by name can – at no extra cost to the farmer – also significantly increase milk production."
Goat detained over armed robbery
LAGOS (Reuters) – Police in Nigeria are holding a goat on suspicion of attempted armed robbery.
Vigilantes took the black and white beast to the police saying it was an armed robber who had used black magic to transform himself into a goat to escape arrest after trying to steal a Mazda 323.
"The group of vigilante men came to report that while they were on patrol they saw some hoodlums attempting to rob a car. They pursued them. However one of them escaped while the other turned into a goat," Kwara state police spokesman Tunde Mohammed told Reuters by telephone.
"We cannot confirm the story, but the goat is in our custody. We cannot base our information on something mystical. It is something that has to be proved scientifically, that a human being turned into a goat," he said.
Belief in witchcraft is widespread in parts of Nigeria, Africa's most populous nation. Residents came to the police station to see the goat, photographed in one national newspaper on its knees next to a pile of straw.
I can't decide if this writer is ignorant, racist, or just trying to cater to those sections of the population. It's a wonderful thing that this country finally found itself able and willing to put a black man in the highest office in the country, but did any of us think that Obama's success might rest just on the color of his skin?
And now, since I'm already criticizing the author, did we really need him to point out that history will "surely" (as if there's a chance it won't) remember Obama as the "first black" to sit in the white house? Isn't that a given? Is it even worth mentioning at this point?
And since I'm already getting really picky with the details now, and while it may be grammatically correct as is, couldn't the author have referred to Obama as a black man, rather than just as a black? I mean, the man is more than just a color. And if you need proof of that, you can refer back to the beginning of that last sentence, where I clearly pointed out that Obama is a man (thus proving that he is not just a color). The whole article seems to center around the fact that Obama is black, and while that certainly seems true, it also seems a little late in the game to be talking about it like this, like maybe none of us had considered for a moment who we were voting into office.
And lastly, I need to point out that the author is listed as "DAVID ESPO, AP Special Correspondent", and I have to say that if the word "Special" in his title refers to his eligibility for the olympics of the same name, he has my deepest apologies, as I never would intentionally tease the 'literally retarded', just the literary retarded.
So, this guy Matt had this very simple idea that originally was just sort of for his own amusement, but it turned into something much more.
Matt turned a simple, goofy dance into a way to bring people together. He's traveled the world, and has danced with people from all walks of life.
This video reminds us of that which we too easily forget: that while there are millions of differences between the various peoples of the world, in our hearts and souls we are all the same. We want to have food, and water, and shelter. We want to love, and feel loved. We want to be happy, and we want to laugh. It's when we get caught up in the details that we lose our way. It's when we let our walls down that we truly connect with each other.
Matt, wherever you may be, thank you for reminding me to let my walls down.
(you can click on Matt's name to go to his website to see more videos, and I would recommend doing so in order to view the video in a sharper, larger size.)